The Space to Choose

The musicianship and “magicianship” of Thunder Chord was an eighteen month project of archeological study, musical composing and experimentation. Handmade flutes and pipes were used to create indigenous, ethereal and haunting layers of sound that reverberate through cavernous and airy spaces. Deep resonating pipes merge with flutes and higher pitched panpipes to marry Andean influences with North American Indian styles and phrasings. There is nothing traditional about these compositions. They feel more like original excursions and experimentations that make use of these well studied traditions.

Coyote Oldman consists of composer, music academic and audio engineer Barry Stramp, and flute and pipe designer and craftsman, musician Michael Graham Allen. The music from Thunder Chord was created almost entirely with Allen’s instruments.

It is hard to believe that the majority of the sounds came from acoustic instruments. No synthesizers were used, but the subtle digital and analog sound processing of these instruments helped create and enhance the textured harmonic soundscapes.

There is something warm, yet mysterious about this music that conjures up visions of a late evening summer sky just before the day slips into darkness. It is filled with a depth and purity, even a ceremonial and ritualistic quality that allows for an escape from time and our emotion-filled inner landscapes. There are no dramatic shifts, which can be very grounding.

This was a Hearts of Space release. Could this be called space music? Absolutely.
What is space in regards to music? It’s something that allows. It allows room for each instrument, each note to be heard. It allows the listener to absorb what is being expressed. It allows room for the listener to choose to step out of the chaotic, frenetic, jam-packed world.

To quote Stephen Hill, founder of the Hearts of Space label, this is “slow music for fast times.” Within minutes of hitting play, I experience a much quieter space far away from any highly charged emotions or mindless chatter. This gorgeous, soothing and contemplative CD brings me back when I get too far ahead of myself.

1 comment:

I See Paradise said...

I really liked the "slow music for fast times" comment. This album is that and so much more. I hadn't realized that one of the musicians actually created some of the instruments. Cool!